N55 + MIT - Walking House 房屋會走路 遇土石流快跑!
丹麥哥本哈根的藝術組織N55,及美國麻省理工學院的工程師合作打造會走路的房屋「Walking House」,其原型耗資約一百五十五萬新台幣。
房屋裝有六隻液壓柱腳,能夠在任何地勢行走,以後遇上水災、土石流或遇上麻煩鄰居,大可連人帶屋一走了之。
這 間高3.5米的「Walking House (走路房屋)」重1200公斤,首次在劍橋郡一間藝術中心附近漫步。它擁有六隻液壓柱腳,內有客廳、廚房、洗手間、睡床、木材火爐及控制柱腳的電腦主機, 每隻柱腳的電力驅動及運作,均是獨立處理,房屋總會有三隻柱腳撐地面,確保房屋穩定,房屋由太陽能及風力發電驅動,能夠以步速在任何地勢行走,每小時移動 距離為60米。
設計師指出,屋主可在水災時,控制房屋一走了之,建造費也可望大幅降低。
N55的藝術家 Slaatto 計劃在房屋運返哥本哈根後搬入屋內居住,他說:「這間房屋不但供遊客使用,亦適合有興趣更全面過流浪生活的人。」他們希望可在任何建築物安裝柱腳,使之能夠步行,甚至將房屋連結起來組成更大的建築體。
>> 技術資料
基本模組
高:3.5 米
寬:3.5 米
長:3.72 米
重量:1200 kg
最高速度:60 米/小時
設計者:N55, Ion Sorvin, Oivind Alexander Slaatto, Sam Kronick
>>相關討論
::N55 + MIT - Walking House 房屋會走路 遇土石流快跑!::
>>相關網站
::N55::
>>相關圖片
Walking House 的腳
上方設置有太陽能板及蓄電池
廚房, 廁所及主電腦 Kitchen, toilet and main computer
客廳 living room
床及火爐 Bed and woodstove
Walking House 小社區
>>影片
轉貼自 N55 網頁
manual for WALKING HOUSE
WALKING HOUSE, Copenhagen 2008
Introduction:
WALKING HOUSE is a modular dwelling system that enables persons to live a peaceful nomadic life, moving slowly through the landscape or cityscape with minimal impact on the environment. It collects energy from its surroundings using solar cells and small windmills. There is a system for collecting rain water and a system for solar heated hot water. A small greenhouse unit can be added to the basic living module, to provide a substantial part of the food needed by the Inhabitants. A composting toilet system allows sewage produced by the inhabitants to be disposed of. A small wood burning stove could be added to provide CO2 neutral heating. WALKING HOUSE forms various sizes of communities or WALKING VILLAGES when more units are added together. WALKING HOUSE is not dependant on existing infrastructure like roads, but moves on all sorts of terrain.
Construction:
Each unit is equipped with the basic systems for maintaining everyday life for a maximum of four persons. But it could easily be scaled up for larger family structures. Furniture is an integrated part of the structure. The module can be constructed from numerous materials. It is based on a framework made of steel, aluminum or wood and can be covered with steel, aluminum, wood or even semi- permeable textiles. Windows are made of polycarbonate. Insulation could be anything from thin plates of Polyethylene to wool.
The rear of the modules opens up to form a stair that functions as an entrance. Each leg works as an autonomous unit with its own accumulators and linear actuators. The concept is that six legs could be mounted on any kind of structure and make it walk. When it walks three legs are always on the ground to provide the necessary stability. The structure should move at a slow pace similar to the walking speed of the human body. It is a common fact that walking often helps a person concentrate their thoughts and creates a mental state that enforces mobility of the mind. The WALKING HOUSE is constructed to move at a pace similar to human speed exactly for this reason. By adding several modules together the system can provide dwellings that adapts to social needs for living as a single person, in a family, a collective or even in a WALKING VILLAGE. In this way the WALKING HOUSE adapts to persons instead of persons having to adapt to the house.
Background:
WALKING HOUSE is a result of a specific project initiated by Wysing Arts Centre, Cambridgeshire.
N55 was asked by Wysing Arts Centre to collaborate with a group of travellers in the area around Cambridge, where there has traditionally been a large population of travelers living in a symbiotic relationship with the settlers, making a living as seasonal workers on the farms. After an initial meeting with one of the groups, it was clear that the traditional nomadic culture was disappearing fast and the Romani people where settling down and living as a marginal group with all the problems that goes with this situation. What was left appeared to be a brutalized culture fighting to survive in a hostile environment becoming increasingly hostile itself. So we decided to see if it would be possible simply to keep a distance to the current situation and maintain an overview of the benefits of a nomadic culture and try to suggest new means that would enable a nomadic life in a symbiotic way with the surroundings. This is very much a question of the differences in aesthetics between the nomadic culture and the settlers. Our working theory has been that by introducing a design that both are inspired by traditional nomadic culture and contemporary design solutions, some of these differences could easier be overcome.
Traditional Romani Horse carriages from the 18th century are very refined systems of living in confined spaces.
Romani Carriage 18th century
These horse powered carriages are covered by textiles or wood, both materials that enables the space to breathe while removing the moisture produced by the people living inside.
The inner walls are often covered with wool for insulation purposes. Furniture etc are designed to take up as litle space as possible.
Romani interior
We have used this tradition to inspire a new design that uses some of the technological advantages of modern society.
Ownership of LAND and WALKING HOUSE:
It is a habitual conception that ownership of land is acceptable. Most societies are characterized by the convention of ownership. But if we claim the ownership of land, we also say that we have more right to parts of the surface of the earth, than other persons have.
We know that persons should be treated as persons and therefore as having rights. If we say here is a person who has rights, but this person has no right to stay on the surface of the earth, it does not make sense. If one does not accept that persons have the right to stay on the surface of the earth, it makes no sense to talk about rights at all. If we try to defend ownership of land using language in a rational way it goes wrong. The only way of defending this ownership is by the use of power and force. No persons have more right to land than other persons, but concentrations of power use force to maintain the illusion of ownership of land.
The misunderstanding that persons have a right to own land leads to situations where there is no tolerance for different ways of living and in extreme situations this leads to war.
Concentrations of power limit person’s access to land by the force of among other things the notion of ownership. The WALKING HOUSE requires no permanent use of land and thereby challenges ownership of land and suggests that all land should be accessible for all persons. Society could administrate rights to use land for various forms of production of food for example, but ownership of land should be abolished.
N55 furthermore suggest that WALKING HOUSES should be owned by all persons in common and used by the persons wanting to live in them.
Walking house could easily be equipped with specialized modules for various forms of productions like greenhouses, small factories etc. A WALKING HOUSE or a WALKING VILLAGE could supply means for the inhabitants to make a living in this way while moving through the Landscapes and cityscapes. As an example a WALKING VILLAGE could be specialized in foodproduction or special modules for fishfarming, greenhouses and so on could be part of the construction.
Technical specifications:
Basic module:
Height: 3.5 meters
Width: 3.5 meters
Length: 3.72 meters
Weight: 1200 kg
Max speed: 60 meters/hour
Component list:
Plating and framework wood and plywood
Legs made of steel and mechanical components
12 linear actuators
solar panels
micro windmills
polycarbonate plates
interior equipment
By N55, Ion Sørvin, Øivind Alexander Slaatto, Sam Kronick
Thanks to Ingvar Rønne, Frank Jensen, Kirstine Hedensten, William Mckenna, Claus Nørregaard, Peter madsen, Christian Ravn, Nicolai Slaatto,Jacob Slaatto, Tardeus von fürstenhau hasdorf and Bjarne Sørensen
Dedicated to Ingvil Hareide Aarbakke, Co-founder of N55
WALKING HOUSE has been commissioned by
Wysing Arts Centre
房屋裝有六隻液壓柱腳,能夠在任何地勢行走,以後遇上水災、土石流或遇上麻煩鄰居,大可連人帶屋一走了之。
這 間高3.5米的「Walking House (走路房屋)」重1200公斤,首次在劍橋郡一間藝術中心附近漫步。它擁有六隻液壓柱腳,內有客廳、廚房、洗手間、睡床、木材火爐及控制柱腳的電腦主機, 每隻柱腳的電力驅動及運作,均是獨立處理,房屋總會有三隻柱腳撐地面,確保房屋穩定,房屋由太陽能及風力發電驅動,能夠以步速在任何地勢行走,每小時移動 距離為60米。
設計師指出,屋主可在水災時,控制房屋一走了之,建造費也可望大幅降低。
N55的藝術家 Slaatto 計劃在房屋運返哥本哈根後搬入屋內居住,他說:「這間房屋不但供遊客使用,亦適合有興趣更全面過流浪生活的人。」他們希望可在任何建築物安裝柱腳,使之能夠步行,甚至將房屋連結起來組成更大的建築體。
>> 技術資料
基本模組
高:3.5 米
寬:3.5 米
長:3.72 米
重量:1200 kg
最高速度:60 米/小時
設計者:N55, Ion Sorvin, Oivind Alexander Slaatto, Sam Kronick
>>相關討論
::N55 + MIT - Walking House 房屋會走路 遇土石流快跑!::
>>相關網站
::N55::
>>相關圖片
Walking House 的腳
上方設置有太陽能板及蓄電池
廚房, 廁所及主電腦 Kitchen, toilet and main computer
客廳 living room
床及火爐 Bed and woodstove
Walking House 小社區
>>影片
轉貼自 N55 網頁
manual for WALKING HOUSE
WALKING HOUSE, Copenhagen 2008
Introduction:
WALKING HOUSE is a modular dwelling system that enables persons to live a peaceful nomadic life, moving slowly through the landscape or cityscape with minimal impact on the environment. It collects energy from its surroundings using solar cells and small windmills. There is a system for collecting rain water and a system for solar heated hot water. A small greenhouse unit can be added to the basic living module, to provide a substantial part of the food needed by the Inhabitants. A composting toilet system allows sewage produced by the inhabitants to be disposed of. A small wood burning stove could be added to provide CO2 neutral heating. WALKING HOUSE forms various sizes of communities or WALKING VILLAGES when more units are added together. WALKING HOUSE is not dependant on existing infrastructure like roads, but moves on all sorts of terrain.
Construction:
Each unit is equipped with the basic systems for maintaining everyday life for a maximum of four persons. But it could easily be scaled up for larger family structures. Furniture is an integrated part of the structure. The module can be constructed from numerous materials. It is based on a framework made of steel, aluminum or wood and can be covered with steel, aluminum, wood or even semi- permeable textiles. Windows are made of polycarbonate. Insulation could be anything from thin plates of Polyethylene to wool.
The rear of the modules opens up to form a stair that functions as an entrance. Each leg works as an autonomous unit with its own accumulators and linear actuators. The concept is that six legs could be mounted on any kind of structure and make it walk. When it walks three legs are always on the ground to provide the necessary stability. The structure should move at a slow pace similar to the walking speed of the human body. It is a common fact that walking often helps a person concentrate their thoughts and creates a mental state that enforces mobility of the mind. The WALKING HOUSE is constructed to move at a pace similar to human speed exactly for this reason. By adding several modules together the system can provide dwellings that adapts to social needs for living as a single person, in a family, a collective or even in a WALKING VILLAGE. In this way the WALKING HOUSE adapts to persons instead of persons having to adapt to the house.
Background:
WALKING HOUSE is a result of a specific project initiated by Wysing Arts Centre, Cambridgeshire.
N55 was asked by Wysing Arts Centre to collaborate with a group of travellers in the area around Cambridge, where there has traditionally been a large population of travelers living in a symbiotic relationship with the settlers, making a living as seasonal workers on the farms. After an initial meeting with one of the groups, it was clear that the traditional nomadic culture was disappearing fast and the Romani people where settling down and living as a marginal group with all the problems that goes with this situation. What was left appeared to be a brutalized culture fighting to survive in a hostile environment becoming increasingly hostile itself. So we decided to see if it would be possible simply to keep a distance to the current situation and maintain an overview of the benefits of a nomadic culture and try to suggest new means that would enable a nomadic life in a symbiotic way with the surroundings. This is very much a question of the differences in aesthetics between the nomadic culture and the settlers. Our working theory has been that by introducing a design that both are inspired by traditional nomadic culture and contemporary design solutions, some of these differences could easier be overcome.
Traditional Romani Horse carriages from the 18th century are very refined systems of living in confined spaces.
Romani Carriage 18th century
These horse powered carriages are covered by textiles or wood, both materials that enables the space to breathe while removing the moisture produced by the people living inside.
The inner walls are often covered with wool for insulation purposes. Furniture etc are designed to take up as litle space as possible.
Romani interior
We have used this tradition to inspire a new design that uses some of the technological advantages of modern society.
Ownership of LAND and WALKING HOUSE:
It is a habitual conception that ownership of land is acceptable. Most societies are characterized by the convention of ownership. But if we claim the ownership of land, we also say that we have more right to parts of the surface of the earth, than other persons have.
We know that persons should be treated as persons and therefore as having rights. If we say here is a person who has rights, but this person has no right to stay on the surface of the earth, it does not make sense. If one does not accept that persons have the right to stay on the surface of the earth, it makes no sense to talk about rights at all. If we try to defend ownership of land using language in a rational way it goes wrong. The only way of defending this ownership is by the use of power and force. No persons have more right to land than other persons, but concentrations of power use force to maintain the illusion of ownership of land.
The misunderstanding that persons have a right to own land leads to situations where there is no tolerance for different ways of living and in extreme situations this leads to war.
Concentrations of power limit person’s access to land by the force of among other things the notion of ownership. The WALKING HOUSE requires no permanent use of land and thereby challenges ownership of land and suggests that all land should be accessible for all persons. Society could administrate rights to use land for various forms of production of food for example, but ownership of land should be abolished.
N55 furthermore suggest that WALKING HOUSES should be owned by all persons in common and used by the persons wanting to live in them.
Walking house could easily be equipped with specialized modules for various forms of productions like greenhouses, small factories etc. A WALKING HOUSE or a WALKING VILLAGE could supply means for the inhabitants to make a living in this way while moving through the Landscapes and cityscapes. As an example a WALKING VILLAGE could be specialized in foodproduction or special modules for fishfarming, greenhouses and so on could be part of the construction.
Technical specifications:
Basic module:
Height: 3.5 meters
Width: 3.5 meters
Length: 3.72 meters
Weight: 1200 kg
Max speed: 60 meters/hour
Component list:
Plating and framework wood and plywood
Legs made of steel and mechanical components
12 linear actuators
solar panels
micro windmills
polycarbonate plates
interior equipment
By N55, Ion Sørvin, Øivind Alexander Slaatto, Sam Kronick
Thanks to Ingvar Rønne, Frank Jensen, Kirstine Hedensten, William Mckenna, Claus Nørregaard, Peter madsen, Christian Ravn, Nicolai Slaatto,Jacob Slaatto, Tardeus von fürstenhau hasdorf and Bjarne Sørensen
Dedicated to Ingvil Hareide Aarbakke, Co-founder of N55
WALKING HOUSE has been commissioned by
Wysing Arts Centre