西班牙工廠引進粗獷美學，Ortega Diago運用清水模與不鏽鋼打造百人專屬現代化更衣室
西班牙工廠引進粗獷美學，Ortega Diago運用清水模與不鏽鋼打造百人專屬現代化更衣室
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西班牙建築師事務所 Ortega Diago 著手改造位於西班牙 San Sebastian 的一處廠房，將倉庫的一部分，轉變為可供一百多位工廠員工使用的置物櫃與更衣空間。
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這處設施位於廠房末端的狹長空間的改建委託，每天必須服務一百多位在交通科技產業任職的員工，並為男性與女性職員規劃出各自專屬的獨立區域。
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原有建築的空間配置相當缺乏效率，因此設計團隊引入多道高度不一的獨立牆面來重整格局，新設計使自然光線能從牆面上方及周圍穿透進來，主要目標是把內部自然採光量提升到最大。
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然而，團隊從一開始就清楚知道，垂直隔間必須具備透光效果，同時還要能遮蔽視線以保障人員隱私，使其免受走道上往來人群的干擾，於是高低錯落的幾何量體在需要隱私的地方發揮遮蔽作用，進而創造無阻的動線，也沒有把空間完全封閉起來。
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根據建築師的說法，整個計畫最困難的部分在於如何重新組織極度狹長且只有單一出入口的空間，同時必須容納大量的人員進出。
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無可避免且極度冗長的走廊，最終成為促成全新空間配置的關鍵元素，同時也是本次改造中最具標誌性的特色。
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簡約的材質組合包含花崗岩、木材與鋼材，為空間賦予實用的粗獷主義美學，與工業環境相互呼應。
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建築師利用材質來建立隔間的層次與秩序感，選擇專注於色調和紋理的搭配，放棄使用鮮豔色彩或多餘裝飾。
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花崗岩用以統整地板、隔間以及門口，經過打磨與鑿面處理的石材表面增添豐富的觸覺感受；與石材互相搭配的，是應用在置物櫃正面的緞面不鏽鋼。金屬材質能產生柔和的反射效果，進而放大空間內的光線與動態感。
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支撐置物櫃的底座由木紋清水模製成，帶入具備手感的細節，染色的硬木門片則提供更溫暖的視覺感受；置物櫃正面刻有簡單的數字。設計細節充分展現出團隊對形式克制與極簡主義的堅持。
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在盥洗區域，一排懸掛在牆面上的陶瓷洗手台配有外露的存水彎，並由細長的鍍鉻支架支撐。平嵌式鏡面與配有外露燈泡的壁燈，進一步強化簡約的工業風格。
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更衣室最末端的窗戶可以看見外頭的綠意。自然光線與植物將寧靜的室內空間與戶外環境連結在一起。
攝影：David Zarzoso
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#SpainArchitecture #BrutalistDesign
#極簡設計
#室內設計 #更衣室
#OrtegaDiago #SanSebastian #SpainArchitecture #BrutalistDesign #FactoryRenovation
#LockerRoom #IndustrialAesthetic #StainlessSteel #NaturalLight #DavidZarzoso
#奧特加迪亞哥 #聖塞巴斯提安 #西班牙建築 #粗獷主義 #廠房改造
#更衣室設計 #工業風美學 #不鏽鋼材質 #自然採光 #室內設計
位於西班牙聖塞巴斯提安的工廠，最近由奧特加迪亞哥團隊操刀，把老舊狹窄的倉庫空間，改造成百位員工專屬的超帥工業風更衣室！
團隊克服長型走廊且只有單一出入口的超難動線，利用高低錯落的獨立牆面，成功把大量自然光引進室內，同時兼顧男女員工的隱私。
建材方面超級講究，運用花崗岩、清水模與緞面不鏽鋼搭配，完全展現出迷人的粗獷主義美學。洗手台外露的管線和金屬支架，也讓整體風格看起來俐落又時髦。走到底部的窗戶還能看見滿滿綠意，能在裡面換裝準備上班，心情絕對大加分！
Architecture studio Ortega Diago has transformed part of a warehouse in San Sebastian, Spain, into a locker room and changing facility for more than 100 factory workers.
The studio founded by Gonzalo Sánchez Ortega and Armando Diago was approached to design the changing rooms in a long, narrow space at one end of a factory.
Every day, the facility needed to serve more than 100 employees of a company operating in the mobility technology sector, with distinct areas for male and female staff.
The existing building was inefficiently organised, so Ortega Diago introduced a series of freestanding walls with varying heights that restructure the space while allowing daylight to pass above and around them.
"The main objective was to maximise the amount of natural light within the interior," the architects told Dezeen.
"From the outset, we knew that the vertical partitions had to allow light to pass through while simultaneously concealing the changing areas from the circulation spaces."
The staggered geometric volumes obscure sightlines where privacy is required, while creating clear, unobstructed circulation routes without completely enclosing the spaces.
According to the architects, the most challenging aspect of the project was reorganising the elongated space, with access at only one end, in a way that could accommodate a high volume of traffic.
"The corridor – both inevitable and exceptionally long – ultimately became the element that made this new spatial organisation possible and one of the intervention's most distinctive features," they pointed out.
A pared-back material palette, including granite, wood and steel, lends the spaces a utilitarian, Brutalist aesthetic that matches the industrial context.
The architects say they used materiality to "establish hierarchy and order among the partitions", choosing to work exclusively with tone and texture rather than colour or decoration.
Granite is used as a unifying element across the flooring, partitions and doorways, with honed and bush-hammered finishes adding texture.
The stone is complemented by the use of satin-finished stainless steel for the locker fronts. This metal produces gentle reflections that amplify light and movement within the space.
A plinth that supports the lockers is made from board-marked concrete that introduces a tactile detail, while stained hardwood doors provide a warmer tone.
The use of simple etched numbers on the locker fronts exemplifies the project's focus on formal restraint and a rigorously minimalist approach.
In the washroom area, a row of wall-hung ceramic basins with exposed traps is supported by slender chrome legs. Flush-mounted mirrors and sconces with exposed bulbs contribute to the pared-back, industrial feel.
A window at the far end of the locker room provides a view of the greenery outside, allowing nature and daylight to connect the serene interior spaces with the outdoors.
The photography is by David Zarzoso.
