翻轉巨型高樓的垂直村落概念：MVRDV 於深圳沙頭角「碧海樓藝術村」盛大動工
翻轉巨型高樓的垂直村落概念來到中國！MVRDV 於深圳沙頭角「碧海樓藝術村」盛大動工
.
由知名荷蘭建築師事務所 MVRDV 操刀設計的「碧海樓藝術村（Bihailou Art Village）」，目前已於鄰近深港邊境的深圳沙頭角正式動工。
.
這座複合式地標結合了文化與商業機能，採用 MVRDV 與智庫 The Why Factory 於 2011 年提出的「垂直村落（Vertical Village）」概念，將傳統水平延伸的村落聚落，轉化為具備高密度與人性尺度的立體文化地景。
.
本案打破了傳統商業巨塔式的單一龐大量體，將不同機能解構為一個個獨特的「房屋」模組，每個模組擁有專屬的形狀、色彩與材質，靈感源自周邊村落與原址知名的「碧海樓酒樓」歷史記憶。
例如多功能劇場擁有雙層挑高空間與可收折座椅，並設有面向廣場的落地大窗；小巧的方塊則容納零售店家、特色餐廳以及展示當地獨特非物質文化遺產的沙頭角魚燈舞博物館。
.
最關鍵的創新在於全天候開放的公共動線，每個機能單元皆擁有獨立入口，使動線系統直接成為城市公共空間的延伸；也就是說，訪客可隨時透過樓梯、電梯與天橋穿梭於方塊之間，遠眺山海景致並抵達各層屋頂平台。
.
MVRDV 創辦合夥人 Winy Maas 表示，建築在壯觀的外觀下保有親密的空間尺度，為當代高密度城市提供了一種兼具人性化與多樣性的發展典範。
.
#MVRDV #深圳 #中國
#荷蘭建築師 #中國建築
#BihailouArtVillage #ShenzhenArchitecture #VerticalVillage #WinyMaas #Shatoujiao #AdaptiveReuse #CulturalArchitecture #PublicSpace #ArchitectureDesign
#MVRDV #碧海樓藝術村 #深圳建築 #垂直村落 #WinyMaas #沙頭角 #舊建築改造 #文化建築 #公共空間 #建築設計
MVRDV 在深圳沙頭角搞大事了！這次動工的「碧海樓藝術村（Bihailou Art Village）」，直接把傳統的單體大樓拆成一堆彩色方塊，用「垂直村落（Vertical Village）」的概念疊在一起！
每個彩色方塊都是獨立的「小屋」，有自己的顏色、材質跟形狀。裡面裝滿了各式小店、餐廳、多功能劇場，甚至還有展示在地文化的「沙頭角魚燈舞博物館」。
而且所有的樓梯、天橋跟屋頂露台都是 24 小時全天候對外開放的！大家隨時都能走進去爬到頂樓看山看海。
比起冷冰冰的玻璃帷幕大樓，這種充滿彩蛋跟人情味的立體村落，真的太有意思了！
vertical reinterpretation of the surrounding village
Construction is underway on the MVRDV -designed Bihailou Art Village, a mixed -use cultural and
commercial centre that forms an eye -catching focal point for the community in Shatoujiao, just a
stone’s throw from the Shenzhen -Hong Kong border. With its multic oloured stack of irregular
shapes, the design is based on the concept of the Vertical Village. Underpinned by this concept,
the project gains much more than just a spectacular appearance: with each element of the
programme contained in its own “house”, com plete with an individual shape, colour, and
material, different functions can operate at different hours. Meanwhile the circulation spaces and
terraces can be freely accessible – redefining the traditional commercial complex as a three -
dimensional cultural landscape that is active at all hours of the day.
The Vertical Village concept was first developed by the thinktank The Why Factory and MVRDV in
2011 and published as a book in 2012. In response to the rapid densification – and increasing
homogeneity – of Asian cities, it proposed a development model that would combine all the
individuality and community of village life with the density of the city: each resident would be
able to design their own house, and they would be stacked in a manner that everybody has their
own front door and access to views and na tural light.
The Shenzhen Bihailou Art Village adopts this concept to serve the function of a retail and
cultural centre in a number of ways. Instead of a single large volume, the fragmented elements
of the art village match the human scale and visual diversity of the other buildings in Shatoujiao.
Instead of residents who would design their own individual house, the Art Village has many
different functions that are each given a sense of identity by their colour, shape, and material – all
features inspired by the colour s, shapes, and materials of both the surrounding buildings and the
Bihailou building, a well -known restaurant that once occupied the site. Each “house” is designed
to fit the function that occupies it: for example, the multifunctional performance theatre g ets a
large, double -height space, with retractable chairs that allow it to transform into a spacious
exhibition hall, and a floor -to-ceiling window facing the neighbouring plaza that allows
unexpected interactions between inside and out. Meanwhile, shops a nd restaurants can find a
home in the design’s smaller blocks.
Crucially, just as residents of the Vertical Village would have their own front door, each “house” in
the Art Village has its own entrance, meaning that the building’s circulation is part of the public
space. This allows all the building’s functions – the shops, restaurants, theatre, and the Fish Lantern Museum that celebrates the unique cultural heritage of Shatoujiao – to operate
independently, choosing their own opening hours. It also means the stairs, escalators, ramps,
and gangways at the heart of the stack are permanently accessible; as visit ors traverse this
network, they will be able to glimpse the surroundings through the many gaps between the
boxes, until they reach one of the project’s many roof terraces for views of the mountains, the
cityscape, and the bay at any time of the day.
“The joy of this design lies in its contradictions”, says MVRDV founding partner Winy Maas. “It
looks spectacular from afar, and up close, there is an intimacy to each space. It looks complex,
but the idea of one space for every function is really quite si mple. And though it may look like
something that has never been done before, it is in fact a remix of the surrounding village:
combining the colours, materials, and shapes of both its neighbours and the restaurant that once
stood on this site. Fifteen year s after the book, it manifests the call to humanise the city, in
contrast to the scale of the monolithic tower developments all over the world, especially in
Shenzhen. It combines density with humanity – what if we could make all our cities like this?”
The Shenzhen Bihailou Art Village sits as the centrepiece of a plaza that itself is at the heart of its
neighbourhood. As such, the design is imbued with a kind of civic generosity, not only in the
form of its permanent accessibility and public roof terrac es, but also on the ground level, where
the stacked shape creates overhangs where people can shelter from sun and rain. The
landscaping surrounding the building is designed to blend seamlessly with the existing plaza –
cementing the building as an integral piece of the village of Shatoujiao.
